What is Spirit Art? Portraits of loved ones from beyond the grave.

What is Spirit Art?

The modern-day term ‘Spirit Art’ has meaning within the religion of Spiritualism, it is linked with Mediumship. A medium is someone who through the unseen senses (Clair-senses) is able to communicate with energies/worlds around the physical realm including the spirit world (the afterlife according to Spiritualism). Mediumship is usually delivered in either a public setting (Divine Service or Spiritual Service) or within a private setting (Private Sitting or Private Reading).

Spirit Art is delivered by a medium and artist (Spirit Artist) who has developed the ability to drawing portraits and bring forward verbal evidence from the spirit world of people who have passed over from this life.

We can understand this more deeply by looking at different ways artists and creative people work with inspiration and energy.

Precipitated Art

This form of art was created entirely from the spirit world or from energy/matter from the unseen world. A group of mediums would sit in a séance with a blank canvas and dimmed light. An image would materialise directly onto the canvas or paper without any physical contact from the mediums. This form or art was predominantly in the United States in the 19th Century. The art would have no brush strokes, be incredibly detailed look similar to pastel portraits. Many examples of this type of art can be found in Lily Dale, New York State.

The Bangs sisters 

Mary and Elizabeth Bangs were born in 1827 and 1832 respectively in Kansas, their mother was a medium, so they were brought up understanding the spirit world and mediumship. In the 1870’s they were in Chicago and performing seances which included physical mediumship like slate writing and moving objects.

They became famous for precipitated portraits where they would sit in séance with a number of other sitters and the spirit portraits would appear on the canvas within minutes. Their paintings were incredibly detailed, and no brush stokes featured in any of the work. A curious point is that there were no eye lashes on any of the people in featured in the portraits. They lived and worked for many seasons from a house in Lily Dale, New York State.

The Campbell brothers

Allen B Campbell and Charles Shrouds weren’t brothers but worked together for many years in the early 19th century. They had a similar method as the Bangs sisters where the pair would sit in a darkened room with a number of other sisters and the portraits would appear on the canvas. The material which created the paintings came from the etheric world and was likened to the dust from a butterfly’s wing.

The portraits were very similar in style and again no brush strokes were present in the work. One of their more famous works was a manifested a painting of Abraham Lincoln, when the painting was analysed traits were found in the portrait that related to ailments that Lincoln had which wasn’t common knowledge.

Inspired Art

Many artists work with inspiration, moving their conscious mind aside to allow energy and thoughts that aren’t their own to come into their awareness and influence their paintings.

Georgia Houghton 

Georgiana Houghton was born in Spain in 1841 and moved to the United Kingdom then to Australia. She grew up as a Christian in Victorian England but moved to become a Spiritualist and medium who worked with her art and creativity creating amazing abstract ‘spirit drawings’.

She was largely unknown until more recent years, she worked with watercolours and started with inspired art later moving into automatic drawing. She mainly took inspiration from nature and depicted the natural world but also used her mediumship to channel art from the spirit world. Over 150 of her drawings are available to view in the British Library in London.

She is quoted in saying “What I have striven to prove is that Spiritualism does not come in place of Christianity; for where would have been the gain in casting off that great joy and happiness, only to receive something else in exchange. What I maintain is that it is bestowed as the Crown to all previous knowledge.”

Hilma af Klint 

Hilma af Klint was born in Sweden in 1862 and worked manly with abstract art in her later career which became her signature style. She was admitted to the Royal College of Fine Art where she studied landscape and portrait painting. After leaving the Royal College she belonged to a group called ‘The Five’ who were a circle of women who believed in Theosophy, and all held shared belief in the importance of contacting higher masters from the spiritual realms.

After meeting Rudolf Steiner, he went to visit her in Stockholm but was unimpressed with her work. He felt that working with mediumship was akin to the occult and inappropriate for a Theosophist.

Her later works used various inspired artistic methods taking inspiration from Mother Nature and using automatic drawing. Her artwork is on display in Stockholm where over 1200 paintings were left to be managed by the Hilma af Klint Foundation.

Automatic drawing

Automatic drawing works by the artist moving themselves into a state of relaxation in front of their easel and allowing a simple process of movement to happen. The artist allows their hand to move freely with the energy and influence of the feelings they are picking up in the moment. There is no fixed direction or conscious destination for the work, it is just allowed to unfold naturally.

I have written an indepth post on Automatic Drawing: History, Practice and Spiritual Meaning

Prophetic art

The roots of prophetic art can be traced back to ancient cultures where art, and spiritual insight were combined. From religious art, indigenous symbolism and sacred iconography, creative expression was used to interpret dreams, omens and messages believed to come from beyond the physical world. Shamans, mystics and seers would translate inner experiences into visual form, as guidance for their followers and communities. This intuitive relationship between art and insight has remained, evolving over the centuries through different cultures and practices, all working to give shape to what is felt from the unseen world.

Prophetic art is the expression of insights which have not yet fully being realised in the physical world. The art is created from a space of heightened awareness, where the artist becomes receptive to impressions, symbols and energies that point towards potential futures and unfolding pathways. Prophetic art gestures towards what is yet to come and a sense of possibility, something that may not be completely understood, but reveal itself and deeper levels over time.

A prophetic artist is not predicting in a fixed way, but tuning to the natural flow of energy and consciousness. The images, colours and forms that come forward in the artwork can act as markers or signposts which can offers guidance and a different perspective.

Psychic Art

Psychic art started to really develop in the United Kingdom at the turn of the 20thcentury. It was thought at the time that a psychic artist would work with a medium. The artist would link in on a psychic level (Psychic or Psychism: a mind-to-mind connection between living people) to bring forward a portrait of someone who has died, and the medium would use their mediumship (Mediumship: a mind-to-mind connection between a living person and a dead person) to bring forward evidence and information from their life on earth.

Frank Leah 

Frank Leah was born in 1886, he moved to Ireland and made Dublin his home. He had a successful career as an illustrator and portrait artist. In the 1930’s he started to draw portraits of people he saw in this minds eye. Friends and customers who visited his studio started to recognise the drawings as their loved ones who had died. He began to realise he was working with his clairvoyance (French for Clear seeing). He worked on his art and started to develop his mediumship becoming well known for the accurate drawings of people who had past to the spirit world.

Coral Polge 

Coral Polge was born in 1924 and had a career as a portrait artist. She explored an interest in Spiritualism and developed her attunement with the altered states of consciousness to become a successful Psychic Artist. In the 1980’s Coral Polge was working with a gentleman called Gordon Higginson and the pair would demonstrate psychic art and mediumship in Spiritualist Churches around the United Kingdom. They were known for accurate portraits and irrefutable evidence of people’s lives who had died and were related to members of the audience or congregation.

What is Spirit Art in today’s world

In today’s world artists have developed their mediumship and mediums have developed their portrait painting. Spirit Artists can work with their mediumship to deliver accurate information about someone who has died as well as a portrait that resembles the person.

What is Spirit Art?

Mediumship and art is always developing and will continue to do so, for any spirit artist it is an exciting journey of discovery and development connecting with energy from the unseen and spirit worlds.

Written by Richard Stuttle